Sadly, artistic excellence too is a package. She had many prejudices and narrow revivalist instincts that her mother, Mogubai Kurdikar, was at least free from – perhaps a part of her Maharashtrian modernity. Unlike Kumar Gandharva, she did not betray any antipathy towards Muslim musicians, but it nevertheless came as a shock to see her re-name Raga Jaunpuri as Raga Jivanpuri.
Author: Asad ZaidiAsad Zaidi, born in Karauli (Rajasthan), has lived in Delhi for the last 35 years. He has three books of poems: Behnen aur anya kavitaen (1980 & 2008), Kavita ka jivan (1988), and Saman ki talash (2008) and has edited a number of collections including Das Baras: Hindi kavita Ayodhya ke bad (2003). His interests extend to education, literary criticism and occasional social commentary. He is the founder of Three Essays Collective, an independent publishing house.
Yesterday was the birth anniversary and the beginning of the centenary year of Gajanan Madhav Muktibodh (1917-1964), beloved Hindi poet, fiction writer and critic, who should count among the greatest of thinkers and culture personalities of modern India. His impact on Hindi literature was as transformational as that of Ghalib in Urdu or Pushkin in Russian literature. One can only remember him with great sadness and wonder what he would have thought of the situation we are in today.
His work is a demonstration of how to rescue inauthentic from the jaws of reality. How to make spontaneous look orchestrated and vice versa – an art where so many rights are turned into one big wrong. He has mastered the skill to turn all conversation into a monologue, and then ignore one’s own voice, remove irresolution, and erase all personal music in the service of his war-like ‘humanism’