Rohith Vemula in his own words
Rice! A mountain of cooked rice lay piled up on the cement floor. And standing by the door was Dhiren Roy, who had been sentenced to life imprisonment. Hot, steaming rice. As he inhaled the aroma, a strange transformation came over him. He began weeping convulsively. “Oh dear ones, look down from heaven, see how much rice I’m master of now! You died for want of a handful of rice, but see me now! I’m the king of rice today!”
On RAIOT, poetry leads the pack in rejection rate. Our mailbox is full of poetic submissions, reminders about submissions, peeved queries about our silence – poets are a touchy lot. But still we masochistically persist in our obsession with poetry.
Writing is unknown territory for me, but there is a personal reason behind me writing this review. The release of this film forces me to say something which, as a former wrestler for almost ten years, I’ve always pondered on.
Nicholas spent the first 14 years of his life in Mokokchung in Nagaland. It was, he says, a small little town, and he went to a small little school there. After clearing his Class 10 board exams, he moved to the relatively big city of Shillong for his junior college studies, and then his bachelor’s degree in arts, at the St Edmunds’ College.
Most people (and like in other scenarios there are exceptions) who are very good at talking in meetings perform better in meetings, than elsewhere. They have invested time in these gatherings and have honed their skills to near perfection. I today, feel silly that I once used to be in awe of them. And the other that I have been a guilty of some of these traits and need to direly cut down on attending meetings.
It is laconic, not quite cynical, resigned yet nevertheless still searching sensibility that Nongkynrih fully realizes in Time’s Barter. Given his ability to convey multiple competing impressions within a few lines, Nongkynrih’s turn to Haiku and Senryu in the collection makes sense.
We support all efforts to stop corruption, stamp out black money and counterfeit currency, and act against funding that helps creates unrest in the country be it through terrorism or creating divisions and hatred among people. However, the decision to de-monetize Rs. 500 and Rs. 1000 notes is misconceived and will not address the problem of black money for the following reasons
Yesterday was the birth anniversary and the beginning of the centenary year of Gajanan Madhav Muktibodh (1917-1964), beloved Hindi poet, fiction writer and critic, who should count among the greatest of thinkers and culture personalities of modern India. His impact on Hindi literature was as transformational as that of Ghalib in Urdu or Pushkin in Russian literature. One can only remember him with great sadness and wonder what he would have thought of the situation we are in today.
If you have been following Kashmir these days, Khurram Parvez’s name must have surely hit your screens. You may have even seen some funky graphics with FREE KHURRAM floating about.screen-shot-2016-11-09-at-11-53-10-pm But who is Khurram Parvez? Why are people in Kashmir getting all worked up about his detention? For those of us not clued into the Kashmir question, answer is, Don’t Know. So when we received STATE versus Khurram Parvez pdf from Jammu Kashmir Coalition of Civil Society – we were thrilled. So in a spirit of curiosity we offer the pdf for DOWNLOAD.
Last night I sat him up behind the wheel and said son take a good look around
This is your hometown
It is very hard to actually begin to categories and study Khasi Comics. It is an even harder task to actually find the copies of these comics. However, if you are fortunate and lucky enough to find such comics, you become a privileged witness and an amazed observer to the history of the comic book in Meghalaya; specifically the Khasi Comics. In Meghalaya, the comic book art form is very young; starting approximately around the 1980s and from that period until the present date, very few works have emerged.
It is inarguably impossible to follow up a festival which had The Wailers and Megadeth as the headline acts. However NH7 attempted to do that this year by bringing Steven Wilson, formerly of Porcupine Tree, to Shillong. The progressive/alternate messiah. The tripper of minds. The maestro of melancholia.
Ghosh babu said dryly, “Cut it into five or six bits. You’re used to cutting meat. After that wrap the pieces in a banana leaf and get to the road, go and tie it to stones and throw it into the river. That’s all the work there is. Dharmaraj remembered the time Ghosh babu’s elder daughter got married. He had been called to cut the goats. Ten or twelve goats were tied to a post. He had instructed him likewise, “Cut it nicely into medium-size pieces. Not too small, not too large, you can take the skin, heads and everything else.” Today it occurred to him that for these people there was no difference at all between men and goats. But Dharmaraj was just an ordinary butcher. His hands and legs turned icy. Sensing Dharmaraj’s plight, Ghosh babu said, “Liquor has been brought, gulp a bottle, once you’re intoxicated you won’t have a clue about what you’re cutting. Get to work at once. The work has to be completed in two hours.
My wife, a Hindu, eats beef; both my in-laws eat beef, as do most in their family. My son will eat anything put on his plate by anyone who cooks for him. My daughter is a vegetarian the last few years and had also been vegan, yet she doesn’t tell any of us one that we can’t eat beef or mutton or pork; she may even taste it when I cook it and give me her opinion. We are vegetarian on Hindu holidays that we celebrate at home (though this doesn’t exclude the transgression of seeking other spirits).
Nabina Das reviews the loves and desires of Hoshang Merchant’s latest collection
Pink, whose script was written by men, didn’t quite challenge patriarchal conservatism. It merely took the variables already at hand—those of male centrism and sexism—and used them to make its story digestible to a conservative public.
On asking what kind of an audience does his establishment attracts, Ganesh points towards a man wearing a lungi and vest, whom he had just physically removed from the small ramshackle theatre, and says “like him”. “They have nowhere to go after work or when there is no work and hence come here”. The man in question shakes his head and concurs. It is the daily wage workers, like him, that form the bulk of the audience for video centres
It’s interesting to see so many people care about Bob Dylan winning the Nobel Prize for Literature, people who otherwise never seem to have engaged with his work or have had scant respect for him; it’s as if this suddenly validates him as an artist in their eyes. And of course, there are people who are trashing this choice and wondering if this opens the door for lyricists to win the most prestigious literary prize in the world (“What, even Anand Bakshi is eligible now?” being the most memorable query on that front).
The shit-storm on the internet has started. Ultimately it boils down to it just being a fun change that lyrics you’ve grown up humming are making a reappearance as high literature. It’s all light years from the genesis of Dylan anyhow, and he couldn’t be too easily pigeon-holed into anything too water-tight.
The Anime Culture which comprises of people who follow anime mainly from Japan, Korea and China is a growing trend that can be seeing all over the world and slowly but surely touching even in this part of the world especially in Mizoram, Nagaland, Meghalaya, and Arunachal Pradesh. Different organisations like Project Z.E.R.O, Nagaland Anime Junkies, NEOtakus, etc are slowly spreading this new culture through different events such as Cosplay Competitions, Anime Meets, Anime Cons, Comic cons, etc. For those who are already keen followers of this new cultures must have had experiences where they are shunned by friends, society and even their own parents for simply spending too much time on these ‘kids’ show but I say why not? This is not a review of each anime or Director as that would take more than just one article to do justice to each of them but just a gist of what each has to offer to its viewers
I kept wondering if the ISL match would have been possible in Guwahati even a decade ago. Would people have braved humid weather, dust, long lines and trudged to a stadium completely disconnected from the heart of the city? Would they have been as enthusiastic about the easy manner in which regional politics merged with national markets? Actually, I’m stretching the truth a bit. My colleagues and I skipped out of the stadium happy that we had won on the strength of a solitary goal, scored by a Japanese player and supported by a host of players of different nationalities.
In 1963, Kanhailal Heisnam had been expelled from the National School of Drama on for having taken leave without official permission. The real problem, according to scholars like Rustom Bharucha was Kanhailal’s inability to cope with the pressure of being expected to speak, write and work in English and especially in Hindi. These were languages that were unfamiliar and alien to him, just as he was alien in the space where he had arrived, albeit with much hope and optimism, as a student of theatre. Having been expelled, after a period of aimlessness, Kanhailal returned to Imphal finally in 1969 to begin his own work and established his theatre group Kalakshetra Manipur. However, unlike the far-more spectacular Ratan Thiyam, who even went on briefly to become the director of NSD in 1987-1988, Kanhailal remained for a long time on the margins of what was accepted and celebrated as ‘Manipuri ‘theatre practice at the nation’s centre.
Some would argue that the Blues are a part and parcel of one’s life – like the cobras dancing. In it one’s politics, one’s commitment, passion and love churn. It is a position that keeps one constantly discontented and dissatisfied, but never cynical and bitter. So, it’s a pity for me that when The Blues Circus gets on stage this coming Friday, there won’t be a substantive documentary on Peter marking this occasion.
Maybe this will never be on the cards because it’s tough getting him to talk about himself. Because there’s much more to him than his many guitars, and the ritual he makes of polishing them with his ‘Mist and Wipe” spray specially made for Fenders.
Old Brahmadev probably has walked down most of the lanes of Shillong but not too many would know his name. He would only be recognized by the bell he rings and the green compartmentalized box he carries that we all so well recognize.
My father passed away almost 20 years ago but I remember him every day. I remember him as a loving and doting father, a jolly, generous, kind, often compulsive person, always ready to lend a helping hand to anyone in need. He would buy us gifts – clothes, toys and food whenever he felt like. I would always be so happy and glad just to be in his company. He had many names and identities you might say. He was known by his Muslim name as Abrar Hussain, his nickname was Khuku and Johnky, his Christian name was Peter.
The old cliché is “God is dead … And we have killed him”. When this statement was first uttered by Nietzsche’s Madman more than a century ago, I do not think that it was entirely depressing (even though the philosopher himself might have thought otherwise); perhaps because deep down people must have felt it was time to let the idea (of God) go. The zeitgeist had definitely changed direction.