I first met RV Ramani, in Delhi, April 2015 and collected some DVDs of his films. Recently, I watched the film Hindustan Hamara (2014), and I decided to ask RV Ramani some questions about this, and his films My Camera and Tsunami (2011) and Nee Engey (2003).
Beyond the FACEBOOK shared nostalgic mist covered view of Shillong lies the reality of very Shillong kind of deprivation – unspoken and silent. Students of Christ Church’s Morning School, Mawlai Syllaikariah decide to hear the truth. This is a story burom-class of Shillong do not want to be told.
It is indeed noteworthy that the only organised and consistent resistance to state and vigilante censorship in India has been from the community of documentary filmmakers. Individual filmmakers have had their battles with censorship and the Censor Board over many years.
Buddha Weeps in Jadugoda kadei ka film ba paw Nam ba la shna da U Sriprakash. Kane ka phlim ha ka sein ba nyngkong eh ka pynpaw paidbah ia ki jingshisha halor ka jingtih uranium ha jadugoda da ka UCIL ka ba dei ka company ba kwah ban rih uranium ha jylla jong ngi ruh. Ka headquarter jong ka UCIL ka don ha Jadugoda, Kat ta ruh pat ka shim da lah ban khmih ba yn ym don jingktah ia ka koit ka khiah Na ka radiation ba mih Na ka jingtih Uranium ha Jadugoda.
I was shot in my leg and spent 56 hours hiding from the army without food or water. I watched helplessly as flies laid eggs which started eating my wounded flesh.
The children in Nayanagarh Primary School, Jambani Primary School, Belpahari, Jangalmahal, West Bengal are all under the age of 10. But already they “know” that some languages are “worth” more than others and the one they speak at home is “worth least”.
Above the Din of Sewing Machines & Labels from a Global City document the exploitative work conditions of women workers in the garment industry in Bangalore
To be brave you have to risk something. To be meaty, brilliant, and thorny you have to provide insights that don’t just voice what most of the people in the room would like to say, but that takes them to a different level of understanding or provokes them to investigate further. With great respect for Chris Rock’s career, I don’t think Oscar night he achieved either.
You may have heard of Gwalia in Khasia, the book by Nigel Jenkins but had heard of the film? Watch this classic BBC documentary on the history and politics of Khasi Hills
Photographer and archivist Aditya Arya was at the book launch of India by Steve McCurry’s and some questions went unanswered
It is fair to say that in any writing of the history of western music in India, Shillong would deserve a chapter. It is just that the writing of this chapter has become way too problematic – too many loose ends, too many grand unifying theories. The culture of western popular music in Shillong has no shortage of hagiographers. In fact most of the writing on this field has been gushy, uncritical and downright fallacious (there have been so many that it would be worthwhile to bring out a compendium of these).