Tag: Fiction

July 30, 2017 /

A. Have you read the new Arundhati Roy?
B. No. I’m not a fan.
A. Oh, OK. Didn’t you like ‘The God of Small Things’?
B. Um, it was OK. I felt like she was trying very hard to be different and clever.
A. Is it? In what way?
B. Her use of language for one thing. I found it too self-consciously inventive. And I also feel she tends to fetishize the tragic.

June 10, 2017 /

An extract from Assamese novelist Dhrubajyoti Bora’s novel Kalantoror Gadya (The Prose of Tempest) (1997) written in the background of the ULFA insurgency and counter insurgency operations by Indian Security Forces in the 1990’s. It deals with the arrival of AFSPA, army operations and state terrorism in the province and the changes it brought to the local landscape.

February 13, 2017 /

He continued walking up to a main road, a busy artery of his hill station hometown. The cars were lined up on the road, a traffic jam that was never going to be resolved. Almost all of the occupants seemed to have left their rides in a hurry, some with doors ajar. The shops here too were mostly empty, but signs of life emanated from the crowded localities that constituted the flesh beneath the lining of commercial establishments on Laitumkhrah’s main street. K walked on, the rain got heavier.

January 15, 2017 /

Rice! A mountain of cooked rice lay piled up on the cement floor. And standing by the door was Dhiren Roy, who had been sentenced to life imprisonment. Hot, steaming rice. As he inhaled the aroma, a strange transformation came over him. He began weeping convulsively. “Oh dear ones, look down from heaven, see how much rice I’m master of now! You died for want of a handful of rice, but see me now! I’m the king of rice today!”

December 24, 2016 /

Hapdeng ka tlang kaba dait thah slam slam,Ka Sngur Batlem bad u Kitbor Bah ki poi ha Sor Shillong, ka Sor kaba thaba, kaba khring bad kaba pah. Ka Sor Shillong wat la ka khring hynrei kam ai jingtngen ne jingshngain, wat la ka thaba hynrei ka i kynsha, wat la ka pah hynrei kam ai jingkyrmen,pynban ka tan bad ka khwan. Ka Sor ka pynlyngngoh bad pynshaiong ia ka Sngur bad u Kitbor. Wow! ka pyrthei aiu kane kaba im tangba kaba ym don mynsiem, ka pyrthei kaba khnoit bein ia ki rangli-ki juki bad kaba bam im im peit peit ia ki mynsiem briew. Napoh ka bos ka Sngur bad u Kitbor ki iohi shi lynter lynti ia ki longkmie kiba kyrshah shilliang, ki rangbah, ki samla bad ki khynnah rit kiba ialum lang ha la ki jaka bapher bapher bad ki bat ha ki kti ia ki jingthoh ha ki kot sada “ Ngi dei ki Nongdie madan bad ngi dawa ia ka hok ban kamai jakpoh”

October 23, 2016 /

Ghosh babu said dryly, “Cut it into five or six bits. You’re used to cutting meat. After that wrap the pieces in a banana leaf and get to the road, go and tie it to stones and throw it into the river. That’s all the work there is. Dharmaraj remembered the time Ghosh babu’s elder daughter got married. He had been called to cut the goats. Ten or twelve goats were tied to a post. He had instructed him likewise, “Cut it nicely into medium-size pieces. Not too small, not too large, you can take the skin, heads and everything else.” Today it occurred to him that for these people there was no difference at all between men and goats. But Dharmaraj was just an ordinary butcher. His hands and legs turned icy. Sensing Dharmaraj’s plight, Ghosh babu said, “Liquor has been brought, gulp a bottle, once you’re intoxicated you won’t have a clue about what you’re cutting. Get to work at once. The work has to be completed in two hours.

August 28, 2016 /

I told you that there was something wrong with the way the beat of the drums sounded, something wrong with the way the trumpet was blown, something seems not right with the way people were shouting, I could feel that in the air, I could feel that on the ground, that it was not the vibration of triumph, neither of celebration.

August 13, 2016 /

River of flesh and other stories: the Prostituted Woman in Indian Short Fiction is a book that begins with an aim of prescribing an Indian prostitute’s problems through pity. The choice of the title, which is a title of one of the stories in the book, as a representation of the collection of stories, relegates the whole collection to a simplified, moralistic view. It is telling of the editor’s and publisher’s condescending attitude towards prostitutes. By appealing to pity and sensationalization, it reveals the patronising disregard they have towards the complex varieties of voices from prostitutes.
And yet the stories on the other hand portray the complexities of a prostitute’s life and experiences very effectively…

May 20, 2016 /

The night has fallen long ago and I won’t be stalking sleep tonight. Their guns have stopped to roar for a while, but they will resume again. They have difficulty in locating me in this dilapidated house at night and I am taking its benefit. But for how long will odds favour me? I will be dead by the morning. Their bullets will have made holes in my body or they will burn this house and I will be charred and buried under its rubble. By whichever way, I will embrace death without a shred of fear; I have resolved it in my mind.

December 9, 2015 /

Rumi always has the same questions for him. The first one is, “Can you understand Farsi?” Avtar nods, even though he does not understand the language. When he is awake, it always torments him that he is a liar even in his dreams. Rumi continues in Persian, which Avtar now understands because he has lied about it, “Do you know what murder is?”