Eddie Rynjah wrote his own material and some reports suggest that he even tried putting together something called ‘It’s you I came here for’. It’s not clear whether this is a collection of songs and there are suggestions that he did record something but despite his sister Yvonne’s best efforts, this material can’t be located anymore. So, did he become disillusioned by the limitations of a small town and never quite got over the lights of Park Street? … Many afflicted musicians before and after him have died younger but the tragedy with Eddie Rynjah was that he lived long enough to realize his immense potential but either chose not to or was not allowed to – or both.
Each and every opening line of the songs featured in this book ‘Ka Marynthing Rupa’ by L. Gilbert Shullai takes me back to the time when western music took root in the flesh and blood of Khasi musicians and when it seemed like the music itself was going to be an integral part of Khasi culture. Perhaps, this was possible because there hadn’t emerged at the time Khasi musicians who were skilled enough to understand the intricacies of songwriting. In those days, Khasi songs had a very strong mainland Indian influence and they were performed mainly in theatrical shows in places like Jowai, Mawphlang, Mawngap, Marbisu, Sohra, Mawsynram and among the Seng Khasis in Mawkhar.
This article was first published in Sunday Vol. 10 Issue 33, 6 -12 March 1983. Sunday, was a political weekly published from Kolkata by Ananda Bazaar Patrika group and M J Akbar was its founding editor. Dr. Hiren Gohain’s essay is reproduced here for educational purpose from the private collection of Guwahati based senior journalist and commentator Haidar Hussain.
Zygmunt Bauman was emeritus professor of Sociology at the University of Leeds and had developed key concepts for the understanding of fundamental issues of today’s world, such as liquid modernity, time, space and disorder, individualism versus community, globalization and consumer’s culture, love and identity
Independence Day in India – a day of celebrating our national sovereignty and saluting the anti-colonial freedom struggle. The triumph of Indian independence, however, is inseparable from the trauma of the Partition experience. Hence, in mainstream culture in India, August 15 becomes a day of bashing Jinnah left, right and centre. It makes one suspect that the ideals of populist nationalism and inclusive democracy have been long forgotten under a sea of symbolism, antipathy and myth making– of what a successful nation we could have had, had there not been an evil separatist at work whose legacy sabotages us even today.
Long before the grubby fingers of the mainstream grabbed hold of the Shillong scene, there was something called Shillong Poetry Circle.
Ia ka History ngi pule ym tang kum ka jingiathuh khana, hynrei ngi dei ruh ban pynshai shynna (interpret) ia ki jingjia history na kawei ka pateng sha kawei pat. Ki jingjia ha ka history ym dei ba ki iathuh ne kdew tang shaphang ka mynnor, khamtam eh ka History ka don ruh ban hikai bad pyrsad mynsiem thymmai ia ka mynta. Ka Raiot ka kynmaw burom ia U Kiang Nangbah kum u riewpaidbah bad u riewiakhun na ka bynta ki khun ki hajar bad ki nongshong shnong jong ka Hima Sutnga
Ha ka 35 snem ka sngi iap u khlur ka RI, Ka RAIOT ka kynmaw sngewieid ia U Bah Shlur Nongbri, uwei na ki khlur kynjat bol (Football star) uba don nam jong ka Wahingdoh Sports Club bad ka Shillong, u la khlad noh na ka pyrthei ha ka 3 tarik November 1980. U long U Captain ba wanrah jingjop ym tang ha ka kynjat ball hynrei U la dei uwei na kiba la wanrah ka jingpawnam ka jaitbynriew hi baroh kawei.
Celebration at Khyndai Lad. 10 years of Right to Information Act in Meghalaya