Tag: photography

September 15, 2017 /

Tagging two of his friends, Mizanur Rehman, a young primary school teacher of Naskara Lower Primary School in lower Assam’s Dhubri district, uploaded a photograph in the morning hours of 15th August on his Facebook timeline. The photograph featured an elderly man, a male adolescent, and two toddlers saluting the fluttering Indian flag while murky flood waters rose upto their chest, threatening to engulf their salutations. By afternoon, most people had seen and shared the post, the image itself had been catapulted to the heavenly skies of social-media circulation. Detached from the original context, it moved freely as a lone object.

August 21, 2017 /

When we were sitting in the park in Surya Nagar, I had asked him about the title conferred on him by a magazine – The Henri Cartier Bresson of India. I had a feeling that he doesn’t enjoy the title much and he insisted on being called as the S Paul of India, if referred to as anything apart from his name. Most of us would kill to be compared on that scale yet Paul wasn’t.

July 29, 2017 /

“Every year, during the Hindu month of Ashaada, the Pochamma Panduga is celebrated in the Pochamma Devi Temple situated in Kamathipura, Mumbai
On this day, members of a Telugu speaking community from Telengana, settled in Mumbai for over a century, congregate here.
They offer sacrifices and prayers to Pochamma Devi.”

May 23, 2017 /

Views on the appropriateness of sharing certain kinds of images for political awareness and galvanization may vary but at the very least keeping in mind the power relations between the photographed subjects and takers of the images, viewers and sharers could make us think before unquestioningly and well-meaningly sharing them and could make us conscious that the act of sharing the image is a complicated one.

February 17, 2017 /

For long, Kashmiris have been captivated by the power of photography. But why? Why have so many of the world’s greatest geniuses with the camera produced some of their best work in Kashmir? Is it the unique tragicomedy of spectacular natural beauty and a gruesome conflict that has consumed generations? Why are there so many good photojournalists and photographers in Kashmir and why is their number on the rise?

May 29, 2016 /

When I started observing your photographs a few days ago, I stood witness to this very manifestation of dissent, and sensed an inchoate breeding of camaraderie—an unsettling urge to respond—taking shape between us. I did not resist. I kept writing, thinking that I was writing directly to you: a peripatetic nomad. But to this very moment, I do not know you. When I call you a nomad, I am trying to describe your photographs—the itinerant obliqueness, an almost euphoric derangement of your frame. I wrote as if I was corresponding with a boundless romantic, myself being one in the first place. You narrated stories to me through your images; I responded with words.

November 2, 2015 /

Only aspect of this work that depicts matriliny and what it does to girls lies in the context behind the pictures. Without that background, this is, sad to say, a blatant exhibitionism of the girls of the village, culminating in a series that doesn’t quite capture the empowered status of these girls but antithetically subjugates them to the desired outcome of the viewer who in this case is Karolin Klüppel.