Category: Culture

December 15, 2015 /

Up in the North-East, the Guwahati franchise already belongs to NorthEast United. And since Shillong Lajong have separated from the John Abraham-owned team, they became the front-runner for getting the Shillong franchise thanks to influence and money-power. That’s why Wahingdoh pulled out. They waited till November to do it so that AIFF don’t get to spin their withdrawal as “failing to meet licensing requirements” as they did with Pune FC and Bharat FC. They wanted it to be known loud and clear that they were walking out of the I-League as a protest;

December 12, 2015 /

In most societies the acts of religious conversion do ruffle the feathers of those who take the task of policing group boundaries zealously. In India too the issue of proselytization has been a matter of immense anxiety for the majoritarian groups belonging to Hindu religion

December 9, 2015 /

Rumi always has the same questions for him. The first one is, “Can you understand Farsi?” Avtar nods, even though he does not understand the language. When he is awake, it always torments him that he is a liar even in his dreams. Rumi continues in Persian, which Avtar now understands because he has lied about it, “Do you know what murder is?”

December 5, 2015 /

MIA has sold over a million copies of her albums and god knows how many more downloads and in contrast to Bollywood actresses attempting crossovers, hers is really the story of a girl from south Asia making it big in the west. The fact that she made it by rapping about issues that most pop stars wouldn’t touch with a barge pole is all the more remarkable.

November 30, 2015 /

Released on YouTube in 2011, Gwyneth Alicia Mawlong’s “Syrngiew” is one of the most path-breaking musical productions emerging from Shillong, at least in the past decade. Its radicality lies both in its form and content. It is a Khasi song which beautifully expresses frustration and sadness over a love crippled by social detestation and non-acceptance, by virtue of its unconventional nature.

November 21, 2015 /

‘In Defence of our Present – On giving up the National Awards’ is a booklet released by Solidarity with FTII, a group of filmmakers who came together to protest against the blatant disregard by this government for plurality, tolerance and secularism in the country as well as their attempts to destroy the excellence of institutions like Film and Television Institute of India. The booklet brings together statements by filmmakers on returning their National Awards as well as essays on the struggle of FTII students. You can download the booklet

November 9, 2015 /

“Our land has a history of being ruled by tyrants and hypocritical regimes, but we Kashmiris have always voiced our opinion against that. I couldn’t stay silent on this issue. This is a protest song against a political gimmick set to undermine the kashmir issue and to influence our Kashmiri sensibilities through pseudo monetary packages. A shame full event done in the name of democracy.”
Ali Saffudin

November 5, 2015 /

It is fair to say that in any writing of the history of western music in India, Shillong would deserve a chapter. It is just that the writing of this chapter has become way too problematic – too many loose ends, too many grand unifying theories. The culture of western popular music in Shillong has no shortage of hagiographers. In fact most of the writing on this field has been gushy, uncritical and downright fallacious (there have been so many that it would be worthwhile to bring out a compendium of these).

November 3, 2015 /

Ha ka 35 snem ka sngi iap u khlur ka RI, Ka RAIOT ka kynmaw sngewieid ia U Bah Shlur Nongbri, uwei na ki khlur kynjat bol (Football star) uba don nam jong ka Wahingdoh Sports Club bad ka Shillong, u la khlad noh na ka pyrthei ha ka 3 tarik November 1980. U long U Captain ba wanrah jingjop ym tang ha ka kynjat ball hynrei U la dei uwei na kiba la wanrah ka jingpawnam ka jaitbynriew hi baroh kawei.

November 2, 2015 /

Only aspect of this work that depicts matriliny and what it does to girls lies in the context behind the pictures. Without that background, this is, sad to say, a blatant exhibitionism of the girls of the village, culminating in a series that doesn’t quite capture the empowered status of these girls but antithetically subjugates them to the desired outcome of the viewer who in this case is Karolin Klüppel.