In the last track, “Ma Nga”, the limit of interaction between the artist, the art and the audience is stretched to its extreme. The song, personal and dark, written by Malice in Khasi, is a recounting of emotions of a person sitting on the peak of melancholy hill who is going through a severe identity crisis. The lyrics carry a very depressing, aggressive, yet powerful undertone and the composition is something that is really unique, very technical and traditional. Being a Khasi song, you’d expect the guys to dig deep into the roots of their indigenous identity in the arrangement but that element is only catalytic, and it only serves as a subsidiary to the larger plan.
Author: Dabormaian Jude KharmawphlangUndergraduate student, TUR member, advocate of progressive politics.
Looking at the recent episode in Ramjas College, and having had first-hand experience of the ABVP-fueled violence unleashed there, I am shocked and traumatized by the unbridled attack on the educational space that first drew me to this university. The whole idea of Indian nationalism articulated by these factions is so alien and vague to me. Personally, I grew up being exposed to a different kind of nationalism, that of my own community (Khasi), and my encounter with any form of Indian nationalism was confined to televised programmes on Republic Day and Independence Day or at the most, when an important member of a national political party visits to assist with local election campaigns.
Shillong has a tag of being a ‘rock capital of India’. It is like a rotting signboard that greets you when you approach the periphery of the town. For this day and age, a tag like that is distasteful and the perceptions and assumptions rising out of that stereotype is derogatory towards other musicians.