Deliriously successful when first released way back in 1996, Lucky Ali’s O Sanam, once again sparked interest when a video-blogger by the name of Saad Khan recently released a video of Lucky Ali singing the song. Within a couple of days Saad Khan’s video went viral and raked in a huge amount of nostalgia for the India of the nineties. Lost in this surge of emotion was the fact that the Lucky Ali we saw in the video was far from the Lucky Ali we first saw in the mid-nineties. The man in Saad Khan’s blog video was older, with a face marked by the passage of time and more importantly marked by a beard and a skull cap, which seemed to suggest that he was a pious Muslim. The fact that this markedly Muslim accoutrement went unremarked upon in a time of general hostility to Muslims in India is surprising. But this silence could also imply apathy, which is a shame since this image does have a message for contemporary India even as the country bathes in the nostalgia for the nineties.
Author: Jason Keith Fernandes
Jason Keith Fernandes is a post-doctoral scholar at the University Institute of Lisbon. His other writings are archived at www.dervishnotes.blogspot.com
The relationship of the Indian elites to Goa is by no means innocent. For that matter, neither is the relationship of India to Goa. Rather, these relationships are built on the willful ignoring of history, to enable Indians to create Goa and Goans not only as property of the Indian empire but as a pleasure park where they can imagine themselves to be in their own little part of Europe.
Goans, or at least those familiar with the Goan Catholic milieu, are in fact also European.