Nearly eleven years after the infamous attack on the Faculty of Fine Arts, M.S. University of Baroda and the arrest and brief incarceration of the student Chandramohan S. and the suspension of the then in-charge Dean, Shivaji K. Panikkar, on 2nd of February 2018 we bear witness to an uncanny event that unfolded in the Vice-Chancellor’s cabin of MSU. Chandramohan had allegedly set fire to the office of the vice chancellor as a marker of his self-consuming frustration resulting from the institutional violence inflicted on him by denying him the basic dignity as a human being.
It is very hard to actually begin to categories and study Khasi Comics. It is an even harder task to actually find the copies of these comics. However, if you are fortunate and lucky enough to find such comics, you become a privileged witness and an amazed observer to the history of the comic book in Meghalaya; specifically the Khasi Comics. In Meghalaya, the comic book art form is very young; starting approximately around the 1980s and from that period until the present date, very few works have emerged.
A short course in Art History by Indian Occupying Forces in Kashmir
Masood Hussain’s digital image-essay from Kashmir
The Indian state’s dominant visual order invisibalizes the structure of its violence in Kashmir. It enforces a blindness and numbs the critical senses of its citizens. From the twin images of Kashmir as a ‘beautiful landscape’ and as a ‘hotbed of anti-nationals,’ it mobilizes the composite image of ‘paradise crawling with serpents’ to justify the military occupation. Can there be a counter-project to this mode of seeing and representation? Can artistic works agitate the dominant imaginaries, trouble the subtle ruses of state power, and, in the process, train a new disobedient sensorium? The images by Rollie Mukherjee that you see here answer these questions affirmatively.
Long before the grubby fingers of the mainstream grabbed hold of the Shillong scene, there was something called Shillong Poetry Circle.
What is Azadi?
Amar Kanwar began as a documentary filmmaker, later expanding his practice to multi-channel video installation. While he works strictly with documentary and archival images, Kanwar employs various methods of editing and presentation to exceed their immediate facticity, conjuring atmosphere, underlying motives, and furtive histories. This is a (re)viewing diary of Amar’s latest work The Sovereign Forest
Treibor Mawlong is one of the most exciting contemporary artists from our hills. From Mairang in West Khasi Hills, Treibor studied at Kala Bhawan, Shantiniketan (2006-2012).…