Category: Video

October 4, 2017 /

Gauri Lankesh was one of the Karnataka’s most prominent and fearless journalist. She was shot dead outside her house in Bengaluru on the night of 5th September, 2017. Gauri spoke out against communal forces in the Country and represented dissent and freedom of speech. The film is more than a personal tribute and follows her political journey, envisaging what she stood for and her struggle for communal harmony until her last breath. And her life story has become the history of Karnataka’s fight against right-wing communal forces.

June 15, 2017 /

The Information and Broadcasting Ministry’s act of denying exemption of censor for three films selected for the 10th International Documentary and Short Film Festival of Kerala has invited strong reactions from various corners. The festival, one of its kind in the country, is an avenue for documentary filmmakers to get a wide audience for their films. It is particularly an important platform for independent filmmakers. What is common to these three films—In the Shade of Fallen Chinar, Directed by Fazil N.C. and Shawn Sebastian; The Unbearable Being of Lightness, directed by P.N. Ramachandra; and March March March, directed by Kathu Lukose—is that they deal with issues related to contemporary politics.

March 9, 2017 /

The conviction of Prof. G.N. Saibaba by the Gadchiroli District Court on 7th March 2017 has revived questions around the UAPA, and how it has progressively eroded Article 19 of the Indian Constitution. This 8 minute illustrated video by the Media Collective documents the Unlawful Activities Prevention Act in its 50th year, its contemporary application and raises questions about its constitutional validity.

February 6, 2017 /

“Rainbow In A Brown World” is an entertaining, an educative and an animated film that depicts a day-in-the-life of a queer Indian woman as she goes about her daily routine and encounters various people who question her regarding her sexuality. The protagonist ‘Aarti’ is a young, queer woman who finds herself at the receiving end of an absurd, often hilarious albeit well intentioned questions about being LGBT. However, she answers these wittily and is often amused by them.

January 8, 2017 /

The Bravery were never a very big band. The reason I heard of them was mainly because they were supposed to have been the chief rivals of The Killers. Those were the years when every band in the world had to have the word “the” somewhere in their name. One day we shall have to explain that phenomenon to our kids.

November 27, 2016 /

Raioteers, once a week we deserve to unwind after the crappy craziness of Indian politics and the gradual obliteration of our senses and so we thought we would introduce a Raiot Jukebox to nudge out the noise with soothing (and sometimes not so soothing) music. If you have a jukebox to share do send us your playlist.

October 14, 2016 /

The shit-storm on the internet has started. Ultimately it boils down to it just being a fun change that lyrics you’ve grown up humming are making a reappearance as high literature. It’s all light years from the genesis of Dylan anyhow, and he couldn’t be too easily pigeon-holed into anything too water-tight.

September 16, 2016 /

Through Ianche, a Garo poet, the film tries to understand what it feels to be a poet without a written language. Once this saddening truth is felt and understood in its entirety can you write again? The Garos have their own language but no script to write and hence they have been using the English alphabet for centuries now. Ianche, an accomplished poet finds himself tormented and unable and unwilling to write anymore. He can see his people completely abandoning their rich culture and he believes that the only way to save himself and them is to author a script.

August 19, 2016 /

Another young man comes home from work on his scooter
He is an atm teller and Supports his large family
His brothers wedding is next week
He is found with 300 pellets in his body, every organ is ruptured
they had carried him to the side of the road, to pass it off as an accident
But blood leaves its trail

India, this is your democracy.

July 18, 2016 /

Jashn-e-Azadi , was one of the first documentaries to engage with the uprising for freedom in Kashmir. Released in 2007, the film has had a chequered screening career. Available for sometime in low resolution versions on Vimeo and Youtube and torrents, we thought it was appropriate that a properly encoded streaming version was available for viewing and we asked Sanjay Kak for the permission. He not only permitted us to encode and upload but also wrote a short note about the film.

July 12, 2016 /

This video report from “Headlines Today/Aaj Tak/12/12/2004″ exposes the harsh reality of the people being affected by the operation of uranium mining in and around Jadugoda being run By Uranium Corporation Of India, Government of India Limited(UCIL) . Although the company claims radiation stories as ” myths “, Headlines Today documents the evidence where the entire environment, community and the future generation has been put to risk by the sheer negligence of the company.

July 11, 2016 /

Buddha Weeps in Jadugoda kadei ka film ba paw Nam ba la shna da U Sriprakash. Kane ka phlim ha ka sein ba nyngkong eh ka pynpaw paidbah ia ki jingshisha halor ka jingtih uranium ha jadugoda da ka UCIL ka ba dei ka company ba kwah ban rih uranium ha jylla jong ngi ruh. Ka headquarter jong ka UCIL ka don ha Jadugoda, Kat ta ruh pat ka shim da lah ban khmih ba yn ym don jingktah ia ka koit ka khiah Na ka radiation ba mih Na ka jingtih Uranium ha Jadugoda.

June 30, 2016 /

The lathi charge against the Kiang Nangbah College came right after the Terra Madre festival where crores of rupees have been invested. Here again we see the misplaced priorities of the Congress led government at the state. It is against these issues that students groups, civil society and organisation have become critical. The issues affecting the students are not only national but local.

May 10, 2016 /

That’s the moment when I began to wonder, as somebody who easily, effortlessly thought of himself as both Indian and Kashmiri, about what it means to live in a situation where all my democratic beliefs in being Indian were up against what I was seeing, my experience of life, in Kashmir. I was enormously troubled, as you can imagine, by what I saw there, by what I heard and by the fact that every time I expressed my sympathy with what was the visible oppression of people around me, my neighbours would say ‘no, no you mustn’t feel badly. We know what happened with you people.’ But I was always in an anomalous situation. I was notionally a Pandit, one of those families that had left in 1990, but in fact I hadn’t.